Apr 24, 2022

DIVINE MERCY SUNDAY- Vigil Mass of ANZAC Day

Just across the way from us, at the heart of the Anzac Memorial in Hyde Park, stands what some consider to be Australia’s greatest sculpture.1 Rayner Hoff’s bronze of ‘Sacrifice’ (1930-34) is in the Hall of Silence amidst many other features created by him. At remembrance services and other times, the sculpture is the object of contemplation for staff, pilgrims and tourists.

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Apr 16, 2022

Homily for the Easter Vigil in the Holy Night

When people come to church on Ash Wednesday, Good Friday, All Souls Day or even Easter, most don’t do so out of sentimentality or habit as they might at Christmas, but rather because the feast itself and the ritual speaks to some challenge in their lives. This year’s Triduum has come in dark times …

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Apr 15, 2022

HOMILY FOR THE CELEBRATION OF THE PASSION OF THE LORD

Last Sunday’s Passion of St Luke and today’s of St John are in different keys. At Luke’s Passover-turned-Eucharist Jesus spoke ominously of betrayal to come and communing in His broken body. He told His men to bring swords to Compline in the Garden. He sweated blood while begging the Father to relieve Him of what was coming.

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Apr 14, 2022

Homily for the Mass of the Lord’s Supper

They’ve been dark times of late. The world has recoiled at the invasion of a free nation by a bully power, and at the numbers dead, damaged or driven out. Closer to home we’ve had bush-fires, floods, mice, COVID. Lockdowns and other public health measures have taken their toll psychologically, educationally and financially.

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Apr 14, 2022

HOMILY FOR THE CHRISM MASS

Listening has been a particular theme of Pope Francis’ pontificate. Amidst the information overload and polarisations of modernity, and while promoting a more synodal Church, the Holy Father has regularly called us to listen more closely to what God and His people are saying. He begins his message for next month’s World Communications Day[ii] with the deep human need to be heard …

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Apr 03, 2022

HOMILY FOR THE FIFTH SUNDAY OF LENT, Year C

In 1971 Japanese salesman Goro Hasegawa rebooted a popular nineteenth century board-game with the new name Othello, in homage to its black-and-white discs. Two players take turns laying down their counters on an 8×8 squared board; when one surrounds the other’s disc it is ‘captured’ by being turned over as the other colour …

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