Homilies

In 1967 a rather precocious young Anthony Fisher complained to Sr Mary Eucharia RSM that the new hymn she was teaching us—Sr Miriam Therese Winter’s “I saw raindrops on my window: joy is like the rain”—seemed barely to mention God. In response Sister offered us a better hymn: she taught us Richard Connolly and James McAuley’s ♪♪ Seek, O seek the Lord, while He is near, Trust …

In the feature article in today’s Sydney Morning Herard Lauren Ironmonger asks whether monogamy is dead and we are destined for multiple contemporaneous and successive primary loves?[1] She says it is the question on the mind of millennials as they navigate the perennial human …

The great Renaissance art historian, Giorgio Vasari (1511-74), was an advocate of Graeco-Roman, Romanesque and neo-classical architecture, but no fan of the ‘French’ mediaeval aesthetic with its pointed arches, vaulted ceilings, flying buttresses …

Two years before he was catapulted to stardom as “Crocodile Dundee,” Paul Hogan graced American TV with an advertisement for Australian Tourism (1984).[i] He demonstrated the cheerful, laid-back demeanour of Aussies, while showcasing some of our beautiful landscapes including Sydney Harbour.

Welcome to the Church of St. Anne, Strathfield South, for the Pontifical Mass of Christian Burial for Fr Raymond John Weaver, a Priest of the Archdiocese of Sydney. Fr Ray was born in 1937, was a seminarian at St Patrick’s College Manly and was ordained to the priesthood by …

In a world with striking parallels to our own, a young woman named Caterina di Benincasa (1347-80) from Siena was called to apply her gifts in …

n the extreme sport of free-diving, competitors hold their breath unaided for as long as they can and drop to a depth of water as low as they can before resurfacing: some of you here tonight may have tried this as kids and given your mothers a fright! The king of this sport is Viennese-born Herbert Nitsch…

Just across the way from us, at the heart of the Anzac Memorial in Hyde Park, stands what some consider to be Australia’s greatest sculpture.1 Rayner Hoff’s bronze of ‘Sacrifice’ (1930-34) is in the Hall of Silence amidst many other features created by him. At remembrance services and other times, the sculpture is the object of contemplation for staff, pilgrims and tourists.

Simon Peter and John come running to the tomb (Jn 20:1-9). In Eugène Burnand’s impressionist painting of the incident (1898, Musée d’Orsay, Paris), it is a glorious dawn and Peter is staring ahead, hand-on-heart, finger pointing forward, face confused like a rabbit in headlights.